Movie Reviews

Nenjam Marappathillai film overview: Selvaraghavan delivers an entertaining and trippy journey

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Nenjam Marappathillai solid: SJ Suryah, Regina Cassandra, Nandita Swetha
Nenjam Marappathillai director: Selvaraghavan
Nenjam Marappathillai score: 3 stars

It has been a protracted wait to see director Selvaraghavan’s Nenjam Marappathillai in theatres. The movie was caught in a limbo for about 4 years for a number of causes, which had been past the management of the director. So was the movie well worth the years’ anticipation, eagerness, and wait? For a cinephile, the reply is a convincing sure.

Nenjam Marappathillai is an uncommon movie; it is usually a Selvaraghavan movie. It could be foolish for us to purchase a ticket for a Selvaraghavan movie, anticipating to see a straight-forward narration with out surreal themes and metaphorical actuality. I consider this director outgrew that part in his creative evolution when he made Aayirathil Oruvan over a decade in the past.

The principle premise of Nenjam Marappathillai is a traditional good versus evil, or reasonably the God versus the Satan. It kind of appears like a variation of director Taylor Hackford’s The Satan’s Advocate. Self-importance is unquestionably the satan’s favorite sin. And Selvaraghavan takes us on a trippy journey to point out, how an empty coronary heart is satan’s workshop.

Ramsay, alias Ramaswamy, (performed by a terrific SJ Suryah) was born into poverty and he grew up impoverished. He now runs an enormous enterprise and employs 1000’s of individuals. No, it isn’t a rags-to-riches story crammed with loads of inspiring moments. Shruti (Nandita Swetha) falls head over heels in love with Ramsay, who labored at her father’s manufacturing unit. Married into cash, he splurges his lately acquired wealth on costly issues. His narcissism is powered by ego and greed. And he’s prepared to kill anybody who poses even the slightest menace to his bottomless self-importance.

Entre, Mariam (Regina Cassandra). She is a god’s youngster. And she or he walks straight into the net of the satan when she takes up a caretaker job at Ramsay’s home. Ramsay feels a way of overwhelming lust the primary time he lays his eyes on her. And what follows is a case of office harassment that demonstrates how the society and the household allows sexual perverts.

Selvaraghavan, nevertheless, pulls his punches at instances. For instance, the film and the narration might have benefited from the director elaborating on Ramsay’s morning routine, which he makes use of to pamper his poisonous masculinity.

That stated, Nenjam Marappathillai is what a director may discover when he goes to the capturing with a vow to not observe the script. As an alternative, he rolls up his sleeves, and goes to work along with his crew, decided to create one thing extra fantastic, and tangible than what his thoughts imagined within the author’s room. Whereas watching the movie, I might think about Selvaraghavan working along with his actors, guiding them, imbuing them with feelings and concepts, serving to every of them to ship a realized efficiency. SJ Suryah’s efficiency within the scenes the place he channels Ramsay’s raging lust for Mariam is so entertaining.

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