Movie Reviews

Ajeeb Daastaans overview: Netflix sells the story of curdled love, intercourse and dhoka


Ajeeb Daastaans film forged: Jaideep Ahlawat, Fatima Sana Shaikh, Armaan Ralhan, Abhishek Bannerjee, Nushrat Bharucha, Konkona Sensharma, Aditi Rao Hydari, Shefali Shah, Manav Kaul, Tota Roychoudhary
Ajeeb Daastaans film administrators: Shashank Khaitan, Raj Mehta, Neeraj Ghaywan, Kayoze Irani
Ajeeb Daastaans film ranking: 2.5 stars

The 4 brief movies in Netflix’s new anthology are predicated on one commonality — one thing unusual this fashion comes. Predictably, although, one of the best movie comes from Neeraj Ghaywan, some of the thrilling younger voices working in Bollywood at this time, adopted by the one from Kayoze Irani.

In ‘Geeli Pucchi’, Bharati Mondol (Konkona Sensharma) and Priya Sharma (Aditi Rao Hydari) are stapled collectively by happenstance. The previous works on the ground of a manufacturing unit and is patronisingly patted on the again for her abilities as a ‘kaarigar’ and her capacity to work alongside male colleagues, by, who else, a male supervisor. The latter, all delicate, sari-clad, female, is the brand new information entry operator, a place Bharati has been eyeing.

The distinction between the 2 couldn’t be stronger, and but they’ve one thing in widespread, a pointy consciousness of the opposite with an odd mixture of kinship and resentment, which converts a sloppy kiss (geeli pucchi) right into a sexual tingle. The 2 slide into an uneasy dance as caste and sophistication comes into rivalry. For those who don’t have a ‘Bannerjee, Mishra or Sharma’ in your title, you’re the lowest of the low on the totem pole, the area a Dalit Mondol is pressured to occupy by the accident of her beginning.

Using ‘hum jaise log’ for girls who like one another offers you pause. Why not be extra particular? Is it as a result of the looser definition offers Priya a little bit wiggle room, permitting her to determine her manner round suffocating marriage and motherhood? Or to shut her eyes to her actual sexual identification? Is using the phrase ‘queer’ confined strictly to a selected class?

For the primary time, Hydari’s magnificence has not been allowed to overpower her character; Ghaywan has given her a posh position with shifting meters, and Hydari goes from hesitance to playfulness to a egocentric not-very-niceness with conviction. Sensharma does a improbable job because the distinctly butch Bharati, whose solely tender relationship up until then has been with one other lady, and has been left to fend for herself. And a Mondol gaining an higher hand over a Sharma? Good. However the place is that this movie set? Was there a city talked about, or did I miss it?

On a kind of related observe in a really completely different Mumbai-based movie, Kayoze Irani’s ‘Ankahi’ has one other set of actors who open up sudden areas of their lives by an opportunity encounter.

Shefali Shah, sad spouse and mum, comes throughout a photographer, performed by Manav Kaul. Immediately, there’s a connection: in a beautiful sequence, we see a few strangers who discover that they will snicker collectively, on the identical joke. Now, that’s a strong factor, and plenty of relationships have been cemented on that one factor. Laughter results in ardour. What now?

You marvel if Shah’s husband (Tota Roychoudhary) works so arduous solely so he’s by no means seen to be free sufficient to have to speak with their daughter, who can’t hear properly. Signal language is for individuals who have quite a lot of time to waste; ‘just leave me alone’, is his mantra. It appears to be like as if he would possibly simply be taken up on his phrase, when a swap is thrown. That switcheroo, from a-distant-to-caring-pa, is jarringly sudden. What lifts the section is the potential for two individuals discovering love anew, of the enjoyment of throwing-back-your-head-and-laughing. Shah, as common, is beautiful. So is Kaul, who’s proving to be a constantly good lover (keep in mind him with Vidya Balan in Tumhari Sulu).

‘Raj Mehta’s ‘Khilauna’ focuses on individuals who assist us reside our middle-class lives with consolation, how we prey upon them, and the implications of what occurs when sometimes they try to get the higher of us. Folks like a reasonably younger maid (Nushrrat Bharucha), and a younger man (Abhishek Banerjee) who has a makeshift ironing ‘gumti’ are invariably exterior wanting in: how do they really feel after they stroll inside our plush houses, which they swab and clear, after which return to their unhappy dwellings, the place energy cuts are the norm? How do they really feel when a strong native man places the strikes on the younger lady, the place she has to place out if she needs one thing that’s rightfully hers?

There’s one thing a little bit too constructed about this brief story. Bharucha’s character is aware of easy methods to parlay her appears to be like to get what she needs, and who works as a ‘mehri’ (a phrase I haven’t heard in a very long time) in order that she will put her little sister by faculty. She is okay to make use of her flirtatious methods to get her foot into the door; if the person of the home will get contemporary, what then? Bharucha is vivid, however the effort exhibits. Not Banerjee, who’s as pure right here as he has been earlier than.

This identical feeling of building takes away from Shashank Khaitan’s ‘Majnu’. Jaideep Ahlawait by no means actually feels as if he’s at dwelling as a rich Barabanki landowner, whose marriage of comfort to an attractive lady (Fatima Sana Shaikh) has left each feeling unloved and unhappy. The doorway of a good-looking younger man (Ralhan) acts as a disruptor. Illicit ardour flares up, and outdated hurts come tumbling out.

There are conclaves in East UP which nonetheless really feel as in the event that they belong to the earlier century the place feudalism dominated, and you may order individuals round at will. Using particular names of locations like Barabanki and Ballia instantly grounds the story, however the inclusion of dialogues meant to lift fun, or twists which really feel bunged in, and hurried contrivances, make you unable to purchase this story of curdled love, intercourse and dhoka.


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